Showing posts with label m/m. Show all posts
Showing posts with label m/m. Show all posts

20 May 2016

Welcome Guest Blogger Asta Idonea!

I'm thrilled to introduce you to my fellow Theory of Love author Asta Idonea!



Captive
Asta Idonea
18 May 2016
Torquere Press
Short Story/MM/Sci-Fi
Heat Level: 1

When the Teludazi attack Captain Evander Starr’s squadron, he is the only survivor. Taken prisoner, he refuses to answer their questions. Nonetheless, he finds himself drawn to their leader, Kaname. What secrets lie behind Kaname’s strange lilac eyes, and will Evander soon find it’s not only his body held captive, but also his heart?


Excerpt
He wasn’t certain how much time passed. He drifted into a fitful slumber, and upon waking, a small light in the corner of the room illuminated a jug of water and a bowl. The latter contained a porridge-like substance—tasteless but not unpleasant. He didn’t hesitate to eat and drink this time. The water had been safe, and Kaname’s speech about not saving him just to poison him had rung true. So, he wolfed the meal down. The moment he finished eating and set the bowl aside, the light turned off.
He must have fallen asleep again, because the next time he came to, he sensed a presence in the room. He turned toward it and heard a soft chuckle.
“Hello again, Captain Starr. How are you feeling?”
“Okay,” Evander muttered. His aches and pains were gone and he felt more rested than he had in a long time. But he wasn’t about to share that with Kaname. “Don’t you wanna turn the light on?”
“Why bother when I can see you perfectly well already?”
“It’s true then? About your eyes?”
Evander had heard the tales ever since he was a boy. The Teludazi were the monsters parents used to discipline wayward children. They were the creatures talked about at night around the campfire. It was said all their eyes were that odd lilac color because they could see equally well in light and dark. It was pointless hiding from them beneath your bed or in the closet—they would still see you.
When he made captain and joined the fleet, Evander’s superiors had striven to suppress such rumors. It was bad for morale, Evander supposed, if you believed your enemy had superhuman abilities. In all other respects, the Teludazi were like them—humanoid, with a similar life span—and that was what the generals expounded. But on the ships, out in deep space, the crew talked. And it seemed the stories had been true all along.

Author Bio & Links
Asta Idonea (aka Nicki J Markus) was born in England, but now lives in Adelaide, South Australia. She has loved both reading and writing from a young age and is also a keen linguist, having studied several foreign languages.
Asta launched her writing career in 2011 and divides her efforts not only between MM and mainstream works but also between traditional and indie publishing. Her works span the genres, from paranormal to historical and from contemporary to fantasy. It just depends what story and which characters spring into her mind!
As a day job, Asta works as a freelance editor and proofreader, and in her spare time she enjoys music, theatre, cinema, photography, and sketching. She also loves history, folklore and mythology, pen-palling, and travel; all of which have provided plenty of inspiration for her writing.

 

16 May 2016

The Countdown Continues...


Title: Theory of Love
Authors: Kayla Bashe, Alain Bell, M.D. Grimm, Asta Idonea, D. C. Juris, Dale Cameron Lowry, Lila Mathews, Charles Payseur, Jessica Payseur, Maia Strong, Lynn Townsend, K.S. Trenten.

Edited by Deelylah Mullin
Publisher: Torquere Press
Cover Artist: Kris Norris
Release Date: May 18, 2016
Heat Level: 5
Pairing: both M/M and F/F stories
Length: 80,000 words

Genre/Tags

Romance - Contemporary, Erotic Romance, F/F Romance, M/M Romance
Science Fiction – Hard Science, Romantic, Futuristic

theoryoflove1400

Synopsis

In Theory of Love, we wave our geek flag high! Tales from deep space, sci-fi realities, technology, academia, and cosplay are brought together in this collection. In Dale Cameron Lowry’s Far From Home, long-distance spouses fan the flames of passion while fighting to save humanity. Meat Space by Lynn Townsend, brings virtual space and the real world crashing into a new reality. Asta Idonea’s Captive shows us that love can form in any manner of situations. Beta Tester by Charles Payseur immerses the reader—and the characters—in a virtual reality that brings a friendship to a whole new level. K.S. Trenten’s A Symposium in Space, love is a different meal to every guest. Unexpected Dilemmas by Jessica Payseur long-distance lovers face hijacking and natural disaster to be together. Kayla Bashe’s Medic to the Hivemind a stranded student is saved by a mysterious voice with secrets. Being Jake by Lila Mathews shows readers that smart is sexy. In D.C. Juris’ Torn Apart, love provides the will to survive. Shattered Space by Alain Bell shows how love can grow from destruction. Maia Strong’s All ‘Ships May Sail connects cosplay, fandoms, and something more. Trash and Treasures by M.D. Grimm gives us a deal made in interstellar space that could be more than either party bargained for.

In theory, love is easy.

Purchase

Torquere Press

Theory of Love

Giveaway

Rafflecopter Prize: One winner will be selected to win an eBook copy of Theory of Love

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18 March 2008

Shakespeare's Gay Boys

x-posted from Slash & Burn

For the last two weeks I've been wondering what I was going to blog about when it was my turn again. Then this weekend fate handed me multiple possibilities. Because I'm a theatre geek, I chose this one. That's right. You're getting a dramatic critique for your blog today.

I saw "Troilus & Cressida" on Saturday night. If you don't know it—and I don't blame you if you don't; it's one of the Bard's lesser-produced plays—it doesn't matter. Suffice that it's Ancient Troy and that the Greeks have been laying siege to the city for seven years. That's not the point. The point is blatant slash in Shakespeare's play! Woo-hoo! I mean you can talk it up until the cows come home that Mercutio was in love with Romeo—and he totally was—but here is undeniable manlove in the text of a play written in (as far as they can tell) 1603 by the greatest English-speaking playwright in history. It warmed my slashy heart to be reminded of it, and in such excellent fashion. (The actors were fantastic. I say this without too much bias; only one of the actors in question is a friend of mine.)

There are three very different gay men in this script.

Pandarus is the original dirty old queen. He's got it bad for Troilus, a deliciously handsome young son of King Priam, and so his one goal is to hook up his niece Cressida with Troilus so that he can live vicariously through their pairing. This is a major plot point, but it's not my point so we'll just move on.

Patroclus is dubbed by scurrilous soldier Thersites as the "male varlet" (Huh. I just thought. I wonder if Shakespeare was word-playing on varlet/valet?) and the "masculine whore" of Achilles. (Yes, that Achilles. He of the Heel.)

Achilles is supposedly in love with one of King Priam's daughters, but his actions belie the accusation. The consummate soldier, he has lost his taste for war not because he's in love with the daughter of his enemy, but because his lover, a fellow soldier, has no stomach for fighting. Patroclus does try to get Achilles to get back to the fight, though, for the sake of his reputation, if nothing else.

PATROCLUS
To this effect, Achilles, have I moved you:
A woman impudent and mannish grown
Is not more loathed than an effeminate man
In time of action. I stand condemn'd for this;
They think my little stomach to the war
And your great love to me restrains you thus:
Sweet, rouse yourself; and the weak wanton Cupid
Shall from your neck unloose his amorous fold,
And, like a dew-drop from the lion's mane,
Be shook to air.

Achilles eventually decides to get back to the war, but before he can:

ACHILLES
My sweet Patroclus, I am thwarted quite
From my great purpose in to-morrow's battle.
Here is a letter from Queen Hecuba,
A token from her daughter, my fair love,
Both taxing me and gaging me to keep
An oath that I have sworn. I will not break it:
Fall Greeks; fail fame; honour or go or stay;
My major vow lies here, this I'll obey.
Come, come, Thersites, help to trim my tent:
This night in banqueting must all be spent.
Away, Patroclus!

And you get the distinct impression that he's bound to the oath by principle rather than by love of the woman. I mean, come on, he doesn't even mention her name. You also get that he's glad for the excuse not to fight. He doesn't want to, and more than that, he doesn't want Patroclus to have to.

Of course war being war and soldiers being soldiers, Patroclus does go into battle. It isn't clear from the text exactly why. Maybe he feels bound to. Maybe when his words didn't work he figured his actions would get Achilles to fight and thereby restore Achilles' reputation. In the case of this production, it was a silent look of "If this is what I have to do, I'll do it. I'm still a soldier." that passed between Patroclus and Achilles. Really a heartstring-tugging moment from such a quick, non-verbal exchange.

Later still, we learn of Achilles' reaction to Patroclus' death in battle by the hand of Hector (Priam's oldest son and the great warrior o' Troy):

ULYSSES
O, courage, courage, princes! great Achilles
Is arming, weeping, cursing, vowing vengeance:
Patroclus' wounds have roused his drowsy blood,
Together with his mangled Myrmidons,
That noseless, handless, hack'd and chipp'd, come to him,
Crying on Hector.

Yeeeeah. Achilles really gives a shit about King Priam's daughter. Isn't it obvious? That's why he hunts down and kills her brother, Hector, and drags Hector's body behind his horse around the walls of Troy. Because that's the way to win over his "fair love" and fulfill his "major vow" to her, the unidentified daughter of Priam and Hecuba. That's right. She's never once named in the play. I doubt it's Cassandra. It could be Ployxena who was later slaughtered on Achilles' grave. Who knows? It clearly wasn't important enough to Shakespeare to be included in the script. Why? Because she doesn't matter. I'm not saying it's happy—it's a decade-long war, after all—but in this sub-plot, it's all about the manlove.